Classifier Instance:

Anchor text: Magnificat
Target Entity: Magnificat
Preceding Context: The Magnificat Fugues were all composed during Pachelbel's final years in Nuremberg. The singing of the
Succeeding Context: at Vespers was usually accompanied by the organist, and earlier composers provided examples of Magnificat settings for organ, based on themes from the chant. Pachelbel's fugues, however, are almost all based on free themes and it is not yet understood exactly where they fit during the service. It is possible that they served to help singers establish pitch, or simply act as introductory pieces played before the beginning of the service. There are 95 pieces extant, covering all eight church modes: 23 in primi toni, 10 in secundi toni, 11 in tertii toni, 8 in quarti toni, 12 in quinti toni, 10 in sexti toni, 8 in septimi toni and 13 in octavi toni. Although a few two- and four-voice works are present, most employ three voices (sometimes expanding to four-voice polyphony for a bar or two). With the exception of the three double fugues (primi toni No. 12, sexti toni No. 1 and octavi toni No. 8), all are straightforward pieces, frequently in common time and comparatively short – at an average tempo, most take around a minute and a half to play.
Paragraph Title: Fugues
Source Page: Johann Pachelbel

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