Classifier Instance:

Anchor text: Time
Target Entity: Time_\u0028magazine\u0029
Preceding Context: While lauded for her achievements, Davis and her films were sometimes derided; Pauline Kael described Now, Voyager (1942) as a "shlock classic", and by the mid-1940s her sometimes mannered and histrionic performances had become the subject of caricature. Edwin Schallert for the Los Angeles Times praised Davis's performance in Mr. Skeffington (1944), while observing, "the mimics will have more fun than a box of monkeys imitating Miss Davis", and Dorothy Manners at the Los Angeles Examiner said of her performance in the poorly received Beyond the Forest (1949), "no night club caricaturist has ever turned in such a cruel imitation of the Davis mannerisms as Bette turns on herself in this one".
Succeeding Context: magazine noted that Davis was compulsively watchable even while criticizing her acting technique, summarizing her performance in Dead Ringer (1964) with the observation, "her acting, as always, isn't really acting: it's shameless showing off. But just try to look away!"
Paragraph Title: Reception and legacy
Source Page: Bette Davis

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