Classifier Instance:

Anchor text: Gagaku
Target Entity: Gagaku
Preceding Context: Jazz critics Gunther Schuller (1991) and Gary Giddins (2004) have separately defended the Miller orchestra for whatever deficiencies earlier critics have found. In an article written for The New Yorker in 2004, Gary Giddins says he feels that these early critics erred in denigrating Glenn Miller's music, and that the popular opinion of the time should hold greater sway. The article states: "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match 'Moonlight Serenade' for its ability to induce a Pavlovian slaver in so many for so long?" Schuller, notes, "[The Miller sound] was nevertheless very special and able to penetrate our collective awareness that few other sounds have..." He compares it partially to "Japanese
Succeeding Context: [and] Hindu music" in its purity. Schuller and Giddins do not take completely uncritical approaches to Miller. Schuller says that 's "lumpy, sexless vocalizing dragged down many an otherwise passable performance." However finally Schuller notes: "How much further [Miller's] musical and financial ambitions might have carried him must forever remain conjectural. That it would have been significant, whatever form(s) it might have taken, is not unlikely."
Paragraph Title: Critical reaction
Source Page: Glenn Miller

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