Classifier Instance:

Anchor text: Gaetano Donizetti
Target Entity: Gaetano_Donizetti
Preceding Context: The popularity of an exaggerated vibrato among many (but by no means all) Mediterranean tenors and singing teachers of this era has been traced back by musicologists to the influential example set by the early-19th century virtuoso vocalist Giovanni Battista Rubini (1794–1854). Rubini had employed it with great success as an affecting device in the new Romantic operas of
Succeeding Context: and Vincenzo Bellini. A host of young Italian tenors—including the renowned Giovanni Mario (1810–1883) — copied Rubini's trend-setting innovation in order to heighten the emotional impact of the music that they were singing, and to facilitate the delivery of fioritura "by, as it were, running up and down the vibrato" (to quote Scott; see p. 126).
Paragraph Title: In opera
Source Page: Vibrato

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