Classifier Instance:

Anchor text: Metropolitan Opera
Target Entity: Metropolitan_Opera
Preceding Context: Accordingly, when Enrico Caruso (1873–1921) — the most emulated Mediterranean tenor of the 20th century — made his acclaimed New York
Succeeding Context: debut in November 1903, one of the specific vocal attributes for which he was praised by music reviewers was the absence of a disruptive vibrato from his singing. The scholarly critic William James Henderson wrote in The Sun newspaper, for example, that Caruso "has a pure tenor voice and [it] is without the typical Italian bleat". Caruso's gramophone recordings support Henderson's assessment. (Other prominent Mediterranean tenors of the late 19th century-early 20th century who, like Caruso, did not "bleat" were Angelo Masini, Francesco Tamagno, Francesco Marconi, Francisco Viñas, Emilio De Marchi, Giuseppe Borgatti and Giovanni Zenatello, while the phenomenon was rare among French, German, Russian and Anglo-Saxon tenors of the same period—see Scott.)
Paragraph Title: null
Source Page: Vibrato

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