Classifier Instance:

Anchor text: Leopold Spinner
Target Entity: Leopold_Spinner
Preceding Context: The principal members of the school, besides Schoenberg, were Alban Berg and Anton Webern, who were among his first composition pupils. Both of them had already produced copious and talented music in a late Romantic idiom but felt they gained new direction and discipline from Schoenberg's teaching. Other pupils of this generation included Heinrich Jalowetz, Erwin Stein and Egon Wellesz, and somewhat later Eduard Steuermann, Hanns Eisler, Rudolf Kolisch, Paul A. Pisk, Karl Rankl, Josef Rufer and Viktor Ullmann. Though Berg and Webern both followed Schoenberg into total chromaticism and both adopted twelve-tone technique soon after he did, each in his own way, not all of these other pupils did so, or waited for a considerable time before following suit. Schoenberg's brother-in-law Alexander Zemlinsky is sometimes included as part of the Second Viennese School, though he was never Schoenberg's pupil and never renounced a traditional conception of tonality. Several yet later pupils, such as Winfried Zillig, the Catalan Roberto Gerhard, the Transylvanian Norbert von Hannenheim and the Greek Nikos Skalkottas, are sometimes covered by the term, though (apart from Gerhard) they never studied in Vienna but as part of Schoenberg's masterclass in Berlin. Membership in the school is not generally extended to Schoenberg's many pupils in the United States from 1933, such as John Cage, Leon Kirchner and Gerald Strang, nor to many other composers who, at a greater remove, wrote compositions evocative of the Second Viennese style, such as the Canadian pianist Glenn Gould. By extension, however, certain pupils of Schoenberg's pupils (such as Berg's pupil Hans Erich Apostel and Webern's pupils René Leibowitz,
Succeeding Context: and Ludwig Zenk) are usually included in the roll-call.
Paragraph Title: Members
Source Page: Second Viennese School

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