Classifier Instance:

Anchor text: Georg Philipp Telemann
Target Entity: Georg_Philipp_Telemann
Preceding Context: The name diabolus in musica ("the Devil in music") has been applied to the interval from at least the early 18th century. Johann Joseph Fux cites the phrase in his seminal 1725 work Gradus ad Parnassum,
Succeeding Context: in 1733 notes, "mi against fa", which the ancients called "Satan in music", and Johann Mattheson in 1739 writes that the "older singers with solmization called this pleasant interval 'mi contra fa' or 'the devil in music'". Although the latter two of these authors cite the association with the devil as from the past, there are no known citations of this term from the Middle Ages, as is commonly asserted. However Denis Arnold, in the The New Oxford Companion to Music, suggests that the nickname was already applied early in the medieval music itself:
Paragraph Title: Historical uses
Source Page: Tritone

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