Classifier Instance:

Anchor text: George Harrison
Target Entity: George_Harrison
Preceding Context: It is only with the Romantic music and modern classical music that composers started to use it totally freely, without functional limitations notably in an expressive way to exploit the "evil" connotations which are culturally associated to it (e.g., Franz Liszt's use of the tritone to suggest Hell in his Dante Sonata). The tritone was also exploited heavily in that period as an interval of modulation for its ability to evoke a strong reaction by moving quickly to distantly related keys. Later on, in twelve-tone music, serialism, and other 20th century compositional idioms it came to be considered as a neutral interval. In some analyses of the works of 20th century composers, the tritone plays an important structural role; perhaps the most noted is the axis system, proposed by Ernő Lendvaï, in his analysis of the use of tonality in the music of Béla Bartók. Tritone relations are also important in the music of George Crumb.
Succeeding Context: uses tritones on the downbeats of the opening phrases of the Beatles songs "The Inner Light", "Blue Jay Way" and "Within You Without You", creating a prolonged sense of suspended resolution.
Paragraph Title: null
Source Page: Tritone

Ground Truth Types:

Predicted Types:

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