Classifier Instance:

Anchor text: Duke of Gandia
Target Entity: Duke_of_Gandia
Preceding Context: Inheriting an easy fortune from his father Pere March—the treasurer to the
Succeeding Context: —and enjoying the powerful patronage of Charles of Viana, prince of Aragon, March was able to devote himself to poetical composition. He is an undisguised follower of Petrarch, carrying the imitation to such a point that he addressed his Cants d'amor (love songs) to a lady whom he professed to have seen first in church on Good Friday. So far as the difference of language allows, he reproduced the rhythmical cadences of his model, but this should be qualified as the medieval tradition of locus communis requested this following. This is something Petrarch himself did and it need not to be stressed. March is a very original and idiosyncratic poet. In the Cants de mort (death hymns) he touches a note of brooding sentiment peculiar to himself. It can be said that he developed Petrarch's rhetoric and used it for more inner psychological meditations, as other major poets like Camões and Shakespeare would.
Paragraph Title: Poetry
Source Page: Ausiàs March

Ground Truth Types:

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|  |  |  |  |---wordnet_male_aristocrat_110285135
|  |  |  |  |  |---wordnet_noble_110271677

Predicted Types:

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wordnet_event_100029378-1.2712556415268457 0
wordnet_organization_108008335-1.9660888345074874 0
wordnet_person_100007846-0.27391542679983577 0
yagoGeoEntity-1.8613109155194092 0
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