Classifier Instance:

Anchor text: Mikhail Glinka
Target Entity: Mikhail_Glinka
Preceding Context: While at school, Rimsky-Korsakov took piano lessons from a man named Ulikh. These lessons were sanctioned by Voin, who now served as director of the school, because they would help the youth to develop social skills and overcome his shyness. Rimsky-Korsakov wrote that while "indifferent" to lessons, he developed a love for music, fostered by visits to the opera, and, later, orchestral concerts. Ulikh perceived that he had serious musical talent, and recommended another teacher, Feodor A. Kanille (Théodore Canillé). Beginning in the autumn of 1859, Rimsky-Korsakov took lessons in piano and composition from Kanille, whom he later credited as the inspiration for devoting his life to musical composition. Through Kanille, he was exposed to a great deal of new music, including
Succeeding Context: and Robert Schumann. Despite Rimsky-Korsakov's now liking his music lessons, Voin cancelled them when Rimsky-Korsakov was 17, as he felt they no longer served a practical need. Kanille told Rimsky-Korsakov to continue coming to him every Sunday, not for formal lessons but to play duets and discuss music. In November 1861, Kanille introduced the 18-year-old Rimsky-Korsakov to Mily Balakirev. Balakirev in turn introduced him to César Cui, and Modest Mussorgsky; all three of these men were already known as composers, despite only being in their 20s. Rimsky-Korsakov later wrote, "With what delight I listened to real business discussions [Rimsky-Korsakov's emphasis] of instrumentation, part writing, etc! And besides, how much talking there was about current musical matters! All at once I had been plunged into a new world, unknown to me, formerly only heard of in the society of my dilettante friends. That was truly a strong impression".
Paragraph Title: Early years
Source Page: Nikolai Rimsky-Korsakov

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