Classifier Instance:

Anchor text: Philip Neri
Target Entity: Philip_Neri
Preceding Context: The origins of the oratorio can be found in sacred dialogues in Italy. These were settings of Biblical, Latin texts and musically were quite similar to motets. There was a strong narrative, dramatic emphasis and there were conversational exchanges between characters in the work. Giovanni Francesco Anerio's Teatro harmonico spirituale (1619) is a set of 14 dialogues, the longest of which is 20 minutes long and covers the conversion of St. Paul and is for four soloists: Historicus (narrator), tenor; St. Paul, tenor; Voice from Heaven, bass; and ananias, tenor. There is also a four part chorus to represent any crowds in the drama. The music is often contrapuntal and madrigal-like.
Succeeding Context: ’s Congregazione dell'Oratorio featured the singing of spiritual laude. These became more and more popular and were eventually performed in specially built oratories (prayer halls) by professional musicians. Again, these were chiefly based on dramatic and narrative elements.
Paragraph Title: 1600, origins of the oratorio
Source Page: Oratorio

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