Classifier Instance:

Anchor text: Metastasio
Target Entity: Metastasio
Preceding Context: In the late baroque oratorios increasingly became "sacred opera". In Rome and Naples Alessandro Scarlatti was the most noted composer. In Vienna the court poet
Succeeding Context: produced annually a series of oratorios for the court which were set by Caldara, Hasse and others. Metastasio's best known oratorio libretto La passione di Gesù Cristo was set by at least 35 composers from 1730–90. In Germany the middle baroque oratorios moved from the early-baroque Historia style Christmas and Resurrection settings of Heinrich Schütz, to the Passions of J. S. Bach, oratorio-passions such as Der Tod Jesu set by Telemann and Carl Heinrich Graun. After Telemann came the galante oratorio style of C. P. E. Bach.
Paragraph Title: The late baroque oratorio
Source Page: Oratorio

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