Classifier Instance:

Anchor text: Jacobean
Target Entity: English_Renaissance_theatre
Preceding Context: The Crying of Lot 49 by Thomas Pynchon has several characters seeing a play called 'The Courier's Tragedy' by the fictitious
Succeeding Context: playwright Richard Wharfinger. The events of the play broadly mirror those of the novel and give the main character, Oedipa, a greater context with which to consider her predicament; the play concerns a feud between two rival mail distribution companies, which appears to be on-going to the present day, and in which, if this is the case, Oedipa has found herself involved. As in Hamlet, the director makes changes to the original script; in this instance, a couplet that was added, possibly by religious zealots intent on giving the play extra moral gravity, are said only on the night that Oedipa sees the play. From what Pynchon tells us, this is the only mention in the play of Thurn and Taxis' rivals' name - Trystero - and it is the seed for the conspiracy that unfurls.
Paragraph Title: null
Source Page: Story within a story

Ground Truth Types:

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|  |  |  |  |---wordnet_company_108058098_rest

Predicted Types:

TypeConfidenceDecision
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wordnet_event_100029378-2.055374884246305 0
wordnet_organization_108008335-0.11987048555129307 0
wordnet_person_100007846-0.05714260717492685 0
yagoGeoEntity-2.454173671338854 0
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