Classifier Instance:

Anchor text: Anton Webern
Target Entity: Anton_Webern
Preceding Context: For listeners unfamiliar with experimental music, Bailey's distinctive style can be challenging. Its most noticeable feature is what appears to be its extreme discontinuity, often from note to note: there may be enormous intervals between consecutive notes, and rather than aspiring to the consistency of timbre typical of most guitar-playing, Bailey interrupts it as much as possible: four consecutive notes, for instance, may be played on an open string, a fretted string, via harmonics, and using a nonstandard technique such as scraping the string with the pick or plucking below the bridge. Many of the key features of his music—radical discontinuity, the self-contained brevity of each gesture, an attraction to wide intervals—owe much to Bailey's early fascination with
Succeeding Context: , an influence most audible on Bailey's earliest available recordings, Pieces for Guitar (1966–67, issued on Tzadik).
Paragraph Title: Bailey's music
Source Page: Derek Bailey (guitarist)

Ground Truth Types:

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