Classifier Instance:

Anchor text: 45-rpm singles
Target Entity: Single_\u0028music\u0029
Preceding Context: Post-war teens were able to buy relatively inexpensive phonographs — including portable models that could be carried to friends' houses — and the new
Succeeding Context: . Rock music played on 45s became the soundtrack to the 1960s as people bought what they heard on the radio. The great majority of the music being marketed to 50s teens was being written by adults, but 60s teens were increasingly appreciating and emulating artists closer to their own age, to teen fashion, and to lyrics which addressed their own concerns. Their parents worried about their attraction to artists (and DJs) who were edgy and rebellious. Faces on magazines fed fans; fans buy records, see films, watch TV and buy fashions. Marketing of the teen idol generally focuses on the image.... The teen idol is structured to appeal to the pre-teen and young teen female pop audience member and children in general.... [They] are commodified in forms and images that are relatively non-threatening to this young audience and to the ancillary market of parents... The teen idol never appears to be autonomous and therefore never appears to be threatening as an adult; he remains, as long as he is popular, perpetually childlike and dependent.
Paragraph Title: 1950-1960s
Source Page: Teen idol

Ground Truth Types:

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|  |  |  |---wordnet_medium_106254669
|  |  |  |  |---wordnet_medium_106254669_rest

Predicted Types:

TypeConfidenceDecision
wordnet_artifact_100021939-0.521592238260766 0
wordnet_event_100029378-1.8267163353870273 0
wordnet_organization_108008335-1.7487320055822173 0
wordnet_person_100007846-1.4354629673927302 0
yagoGeoEntity-2.6509637710155496 0
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|  |---wordnet_artifact_100021939
|  |---wordnet_event_100029378
|  |---wordnet_organization_108008335
|  |---wordnet_person_100007846
|  |---yagoGeoEntity