Classifier Instance:

Anchor text: New Wave
Target Entity: French_New_Wave
Preceding Context: Resnais's first feature film was Hiroshima mon amour in 1959. It had originated as a commission from the producers of Nuit et Brouillard (Anatole Dauman and Argos Films) to make a documentary about the atomic bomb, but Resnais initially declined, thinking that it would be too similar to the earlier film about the concentration camps; it presented the same problem of how to film incomprehensible suffering. Then however in discussion with the novelist Marguerite Duras a fusion of fiction and documentary was developed which acknowedged the impossibility of speaking about Hiroshima; one could only speak about the impossibility of speaking about Hiroshima. The themes of memory and forgetting were explored in a new narrative technique which balanced images with narrated text and ignored conventional notions of plot and story development. The film was shown at the 1959 Cannes Film Festival, alongside Truffaut's Les Quatre Cents Coups, and its success became associated with the emerging movement of the
Succeeding Context:
Paragraph Title: 1959-1967
Source Page: Alain Resnais

Ground Truth Types:

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Predicted Types:

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yagoGeoEntity-1.4751109241763813 0
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