Classifier Instance:

Anchor text: French New Wave
Target Entity: French_New_Wave
Preceding Context: He began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), L'Année dernière à Marienbad (Last Year in Marienbad) (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the
Succeeding Context: or nouvelle vague, though Resnais did not regard himself as being fully part of that movement. He had closer links to the 'Left Bank group' of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers usually unconnected with the cinema, such as Marguerite Duras, Alain Robbe-Grillet and Jorge Semprún.
Paragraph Title: null
Source Page: Alain Resnais

Ground Truth Types:

Predicted Types:

Type	Confidence	Decision
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wordnet_action_100037396	0.9203123737235029	1
wordnet_change_100191142	1.1094512325514168	1
wordnet_change_of_state_100199130	-1.2273025932660264	0
wordnet_motion_100279835	-1.2877219172720524	0
wordnet_motion_100331950	1.218062380967379	1
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wordnet_speech_act_107160883	-1.5775676564797918	0
wordnet_group_action_101080366	-1.28034785051331	0
wordnet_communication_106252138	-1.3920841282892242	0
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wordnet_organization_108008335	-1.6872761094255353	0
wordnet_person_100007846	-2.228771689375359	0
yagoGeoEntity	-2.0009555163454653	0