Classifier Instance:

Anchor text: Je t'aime, je t'aime
Target Entity: Je_t\u0027aime\u002c_je_t\u0027aime
Preceding Context: From 1968 onwards, the films of Resnais no longer addressed, at least directly, big political issues in the way that a number of his previous ones had done, and his next project seemed to mark a change of direction.
Succeeding Context: (1968) drew upon the traditions of science-fiction for a story of a man sent back into his past, a theme which enabled Resnais again to present a narrative of fragmented time. The film was unlucky in its release (its planned screening at Cannes was cancelled amid the political events of May 1968), and it was almost five years before Resnais was able to direct another film. Resnais spent part of that period in America working on various unfulfilled projects, including one about the Marquis de Sade. He also published Repérages, a volume of his photographs, taken between 1948 and 1971, of locations (many of them for 'possible films') in London, Scotland, Paris, Nevers, Lyon, New York and Hiroshima; Jorge Semprun wrote the introductory text. Some of the photographs relate to a long-cherished but unfulfilled idea for a film based on the Harry Dickson stories by .
Paragraph Title: 1968-1980
Source Page: Alain Resnais

Ground Truth Types:

Predicted Types:

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