Classifier Instance:

Anchor text: The Mothers of Invention
Target Entity: The_Mothers_of_Invention
Preceding Context: Lennon followed up this experiment with even more explicit noise music recordings, the first being , an avant-garde recording by John Lennon and Yoko Ono from 1968 consisting of repeating tape loops as Lennon plays different instruments such as piano, organ, and drums with sound effects (including reverb, delay and distortion), changes tapes and plays other recordings, and converses with Ono, who vocalises ad-lib in response to the sounds. They followed this recording with another noise recording in 1969 entitled . Beatles member George Harrison also released a noise/musique concrète recording in 1969, titled Electronic Sound. Previously, Freak Out!, the debut album by
Succeeding Context: (released June 27, 1966 on Verve Records) had also made use of avant-garde sound collages - as did their later 1970 Weasels Ripped My Flesh title track - particularly the 1966 track The Return of the Son of Monster Magnet. This track is said to resemble Carnival of Light, an unreleased experimental piece by The Beatles, recorded on 5 January 1967 after the vocal overdubbing sessions for the song Penny Lane. Carnival of Light was created for The Million Volt Light and Sound Rave, an art event held at the Roundhouse Theatre on 28 January and 4 February 1967. Carnival of Light has not yet appeared on any official Beatles release.
Paragraph Title: null
Source Page: Noise music

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