Classifier Instance:

Anchor text: Test Dept
Target Entity: Test_Dept
Preceding Context: In the 1970s, the concept of art itself expanded and groups like Survival Research Laboratories, Borbetomagus and Elliott Sharp embraced and extended the most dissonant and least approachable aspects of these musical/spatial concepts. Around the same time, the first postmodern wave of industrial noise music appeared with Throbbing Gristle, Cabaret Voltaire, and NON (aka Boyd Rice). These cassette culture releases often featured zany tape editing, stark percussion and repetitive loops distorted to the point where they may degrade into harsh noise. In the 1970s and 1980s, industrial noise groups like Current 93, Hafler Trio, Throbbing Gristle, Coil, Laibach, Steven Stapleton, Thee Temple ov Psychick Youth, Smegma, Nurse with Wound, Einstürzende Neubauten, The Haters, and The New Blockaders performed industrial noise music mixing loud metal percussion, guitars, and unconventional "instruments" (such as jackhammers and bones) in elaborate stage performances. These industrial artists experimented with varying degrees of noise production techniques. Interest in the use of shortwave radio also developed at this time, particularly evident in the recordings and live performances of John Duncan. Other postmodern art movements influential to post-industrial noise art are Conceptual Art and the Neo-Dada use of techniques such as assemblage, montage, bricolage, and appropriation. Bands like
Succeeding Context: , Clock DVA, Factrix, Autopsia, Nocturnal Emissions, Whitehouse, Severed Heads, Sutcliffe Jügend, and soon followed.
Paragraph Title: Industrial music
Source Page: Noise music

Ground Truth Types:

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|  |---wordnet_organization_108008335
|  |  |---wordnet_musical_organization_108246613
|  |  |  |---wordnet_musical_organization_108246613_rest

Predicted Types:

TypeConfidenceDecision
wordnet_artifact_100021939-2.290286076068619 0
wordnet_event_100029378-2.1336580776287124 0
wordnet_organization_1080083352.2736886516096337 1
wordnet_nongovernmental_organization_108009834-2.0926748958077375 0
wordnet_unit_108189659-2.4601905241831616 0
wordnet_institution_108053576-2.5832799451421176 0
wordnet_musical_organization_1082466132.4371200472228702 1
wordnet_chorus_108187837-1.3049982043013915 0
wordnet_dance_band_108249960-0.9260753519474818 0
wordnet_ensemble_108188235-1.1813419967530985 0
wordnet_orchestra_108248157-1.1644953509855698 0
wordnet_enterprise_108056231-1.84905525178707 0
wordnet_association_108049401-1.6796770930697202 0
wordnet_polity_108050385-1.7950179326886315 0
wordnet_party_108256968-2.084570068172993 0
wordnet_force_108208016-2.2689768612750187 0
wordnet_company_108187033-1.7319598584288944 0
wordnet_deputation_108402442-2.0570907294993503 0
wordnet_union_108233056-1.6826517749209728 0
wordnet_alliance_108293982-1.5663872122850238 0
wordnet_person_100007846-2.4262905412113263 0
yagoGeoEntity-2.07137060309306 0
|---wordnet_entity_100001740
|  |---wordnet_artifact_100021939
|  |---wordnet_event_100029378
|  |---wordnet_organization_108008335
|  |  |---wordnet_nongovernmental_organization_108009834
|  |  |---wordnet_unit_108189659
|  |  |---wordnet_institution_108053576
|  |  |---wordnet_musical_organization_108246613
|  |  |  |---wordnet_chorus_108187837
|  |  |  |---wordnet_dance_band_108249960
|  |  |  |---wordnet_ensemble_108188235
|  |  |  |---wordnet_orchestra_108248157
|  |  |---wordnet_enterprise_108056231
|  |  |---wordnet_association_108049401
|  |  |---wordnet_polity_108050385
|  |  |---wordnet_party_108256968
|  |  |---wordnet_force_108208016
|  |  |---wordnet_company_108187033
|  |  |---wordnet_deputation_108402442
|  |  |---wordnet_union_108233056
|  |  |---wordnet_alliance_108293982
|  |---wordnet_person_100007846
|  |---yagoGeoEntity