Classifier Instance:

Anchor text: Glenn Branca
Target Entity: Glenn_Branca
Preceding Context: In attempting to define noise music and its value, Paul Hegarty (2007) cites the work of noted cultural critics Jean Baudrillard, Georges Bataille and Theodor Adorno and through their work traces the history of "noise". He defines noise at different times as "intrusive, unwanted", "lacking skill, not being appropriate" and "a threatening emptiness". He traces these trends starting with 18th century concert hall music. Hegarty contends that it is John Cage's composition 4'33", in which an audience sits through four and a half minutes of "silence" (Cage 1973), that represents the beginning of noise music proper. For Hegarty, "noise music", as with 4'33", is that music made up of incidental sounds that represent perfectly the tension between "desirable" sound (properly played musical notes) and undesirable "noise" that make up all noise music from Erik Satie to NON to
Succeeding Context: . Writing about Japanese noise music, Hegarty suggests that "it is not a genre, but it is also a genre that is multiple, and characterized by this very multiplicity. . . . Japanese noise music can come in all styles, referring to all other genres. . . but crucially asks the question of genre—what does it mean to be categorized, categorizable, definable?" (Hegarty 2007:133).
Paragraph Title: Definitions
Source Page: Noise music

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