Classifier Instance:

Anchor text: BMW
Target Entity: BMW
Preceding Context: By the time Fritz the Cat was released, Bakshi had become a celebrity, but his reputation was primarily based upon his having directed the first "dirty" animated film. Facing criticism of his work on publicity tours and in trade publications, he began writing poetry to express his emotions. This became a tradition, and Bakshi wrote poems before beginning production on each of his films. The first of these poems was "Street Arabs", which preceded the production of Heavy Traffic in 1972. Inspiration for the film came from penny arcades, where Bakshi often played pinball, sometimes accompanied by his 12-year-old son, Mark. Bakshi pitched Heavy Traffic to Samuel Z. Arkoff, who expressed interest in his take on the "tortured underground cartoonist" and agreed to back the film. Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid. Krantz responded, "The picture didn't make any money, Ralph. It's just a lot of noise." Bakshi found Krantz's claims dubious, as the producer had recently purchased a new
Succeeding Context: and a mansion in Beverly Hills. Bakshi did not have a lawyer, so he sought advice from fellow directors with whom he had become friendly, including Martin Scorsese, Francis Ford Coppola and Steven Spielberg. He soon accused Krantz of ripping him off, which the producer denied.
Paragraph Title: Heavy Traffic (1972–1973)
Source Page: Ralph Bakshi

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