Classifier Instance:

Anchor text: The Egoist
Target Entity: The_Egoist_\u0028periodical\u0029
Preceding Context: Pound's editorial choices were based on what he saw as the degree of sympathy that these writers displayed with Imagist precepts, rather than active participation in a group as such. Williams, who was based in the United States, had not participated in any of the discussions of the Eiffel Tower group. However, he and Pound had long been corresponding on the question of the renewal of poetry along similar lines. Ford was included at least partly because of his strong influence on Pound, as the younger poet made the transition from his earlier, Pre-Raphaelite-influenced style towards a harder, more modern way of writing. The inclusion of a poem by Joyce, I Hear an Army, which was sent to Pound by W.B. Yeats, took on a wider importance in the history of literary modernism, as the subsequent correspondence between the two led to the serial publication, at Pound's behest, of A Portrait of the Artist as a Young Man in
Succeeding Context: . Joyce's poem is not written in free verse, but in rhyming quatrains. However, it strongly reflects Pound's interest in poems written to be sung to music, such as those by the troubadours and Guido Cavalcanti. The book met with little popular or critical success, at least partly because it had no introduction or commentary to explain what the poets were attempting to do, and a number of copies were returned to the publisher.
Paragraph Title: Des Imagistes
Source Page: Imagism

Ground Truth Types:

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