Classifier Instance:

Anchor text: New York Post
Target Entity: New_York_Post
Preceding Context: The musical received almost unanimous rave reviews after its opening in 1945. According to Hischak, reviews were not as exuberant as for Oklahoma! as the critics were not taken by surprise this time. John Chapman of the Daily News termed it "one of the finest musical plays I have ever seen and I shall remember it always". The New York Timess reviewer, Lewis Nichols, stated that "Richard Rodgers and Oscar Hammerstein 2d, who can do no wrong, have continued doing no wrong in adapting Liliom into a musical play. Their Carousel is on the whole delightful." Wilella Waldorf of the
Succeeding Context: , however, complained, "Carousel seemed to us a rather long evening. The Oklahoma! formula is becoming a bit monotonous and so are Miss de Mille's ballets. All right, go ahead and shoot!" Dance Magazine gave Linn plaudits for her role as Louise, stating, "Bambi doesn't come on until twenty minutes before eleven, and for the next forty minutes, she practically holds the audience in her hand". Howard Barnes in the also applauded the dancing: "It has waited for Miss de Mille to come through with peculiarly American dance patterns for a musical show to become as much a dance as a song show."
Paragraph Title: Critical reception and legacy
Source Page: Carousel (musical)

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