Classifier Instance:

Anchor text: trio
Target Entity: Trio_\u0028music\u0029
Preceding Context: The double bass in the baroque and classical periods would typically double the cello part in orchestral passages. A notable exception would be Haydn, who composed solo passages for the double bass in his Symphonies No.6 Le Matin, No.7 Le midi, No.8 Le Soir, No. 31 Horn Signal, and No. 45 Farewell, but who otherwise would group the bass and cello parts together. Beethoven paved the way for separate double bass parts, which became more common in the romantic era. The scherzo and
Succeeding Context: from Beethoven's Fifth Symphony are famous orchestral excerpts, as is the recitative at the beginning of the fourth movement of Beethoven's Ninth Symphony.
Paragraph Title: Orchestral passages and solos
Source Page: Double bass

Ground Truth Types:

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|  |---wordnet_organization_108008335
|  |  |---wordnet_musical_organization_108246613
|  |  |  |---wordnet_musical_organization_108246613_rest

Predicted Types:

TypeConfidenceDecision
wordnet_artifact_100021939-1.3732923396543344 0
wordnet_event_100029378-2.6472306564852706 0
wordnet_organization_108008335-0.550116863871665 0
wordnet_person_100007846-1.8398174880002538 0
yagoGeoEntity-2.9399856036132124 0
|---wordnet_entity_100001740
|  |---wordnet_artifact_100021939
|  |---wordnet_event_100029378
|  |---wordnet_organization_108008335
|  |---wordnet_person_100007846
|  |---yagoGeoEntity