Classifier Instance:

Anchor text: Beethoven's
Target Entity: Ludwig_van_Beethoven
Preceding Context: The double bass in the baroque and classical periods would typically double the cello part in orchestral passages. A notable exception would be Haydn, who composed solo passages for the double bass in his Symphonies No.6 Le Matin, No.7 Le midi, No.8 Le Soir, No. 31 Horn Signal, and No. 45 Farewell, but who otherwise would group the bass and cello parts together. Beethoven paved the way for separate double bass parts, which became more common in the romantic era. The scherzo and trio from
Succeeding Context: Fifth Symphony are famous orchestral excerpts, as is the recitative at the beginning of the fourth movement of Beethoven's Ninth Symphony.
Paragraph Title: Orchestral passages and solos
Source Page: Double bass

Ground Truth Types:

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