Classifier Instance:

Anchor text: Trajan's Column
Target Entity: Trajan\u0027s_Column
Preceding Context: The brick-built Villa's facade is faced in Portland stone, with a small amount of stucco. The finely carved Corinthian capitals on the projecting six-column portico at Chiswick, carved by John Boson, are derived from Rome's Temple of Castor and Pollux. The inset door, projecting plinth and 'v'-necked rusticated vermiculation (resembling tufa) were all derived from the base of
Succeeding Context: . The short sections of crenellated wall with ball finials which extend out either side of the villa were symbolic of medieval (or Roman) fortified town walls and were inspired by their use by Palladio at his church of San Giorgio Maggiore in Venice and by Inigo Jones (1573–1652) (Palladio also produced woodcuts of the Villa Foscari with crenellated sections of walls in his I Quattro Libri dell'Architettura in 1570, yet in reality they were never built). To reinforce this link two full-length statues of Palladio and Jones by the celebrated Flemish-born sculptor John Michael Rysbrack (1694–1770) are positioned in front of these sections of wall. Palladio's influence can also be found in the general cubic form of the villa with its central hall with other rooms leading off its axis. The villa is a half cube of by by 35 feet. Inside are rooms of square, square and by by 25 feet. The distance from the apex of the dome to the base of the cellar is , making the whole pile fit within a perfect, invisible cube. However, the decorative cornice at Chiswick was derived from a contemporary source, that of James Gibbs's cornice at the Church of St Martin-in-the-Fields, London.
Paragraph Title: null
Source Page: Chiswick House

Ground Truth Types:

Predicted Types:

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