Classifier Instance:

Anchor text: Léon Bonnat
Target Entity: L\u00e9on_Bonnat
Preceding Context: Munch continued to employ a variety of brushstroke technique and color palettes throughout the 1880s and early 1890s as he struggled to define his style. His idiom continued to veer between naturalistic, as seen in Portrait of Hans Jæger, and impressionistic, as in Rue Lafayette. His Inger On the Beach (1889), which caused another storm of confusion and controversy, hints at the simplified forms, heavy outlines, sharp contrasts, and emotional content of his mature style to come. He began to carefully calculate his compositions to create tension and emotion. While stylistically influenced by the Post-Impressionists, what evolved was a subject matter which was symbolist in content, depicting a state of mind rather than an external reality. In 1889, Munch presented his first one-man show of nearly all his works to date. The recognition it received led to a two-year state scholarship to study in Paris under French painter
Succeeding Context:
Paragraph Title: null
Source Page: Edvard Munch

Ground Truth Types:

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|  |  |  |---wordnet_artist_109812338
|  |  |  |  |---wordnet_painter_110391653

Predicted Types:

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yagoGeoEntity-1.894846260438014 0
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