Classifier Instance:

Anchor text: Fugazi
Target Entity: Fugazi
Preceding Context: By the end of the 1990s indie rock developed a number of sub-genres and related styles. Following indie pop these included lo-fi, noise pop, emo, sadcore, post-rock, space rock and math rock. lo-fi eschewed polished recording techniques for a D.I.Y. ethos and was spearheaded by Beck, Sebadoh and Pavement, who were joined by eclectic folk and rock acts of the Elephant 6 collective, including Neutral Milk Hotel, Elf Power and of Montreal. The work of Talk Talk and Slint helped inspire post-rock (an experimental style influenced by jazz and electronic music, pioneered by Bark Psychosis and taken up by acts such as Tortoise, Stereolab, and Laika), as well as leading to more dense and complex, guitar-based math rock, developed by acts like Polvo and Chavez. Space rock looked back to progressive roots, with drone-heavy and minimalist acts like Spacemen 3 in the 1980s, Spectrum and Spiritualized, and later groups including Flying Saucer Attack, Godspeed You Black Emperor! and Quickspace. In contrast, sadcore emphasized pain and suffering through melodic use of acoustic and electronic instrumentation in the music of bands like American Music Club and Red House Painters, while the revival of Baroque pop reacted against lo-fi and experimental music by placing an emphasis on melody and classical instrumentation, with artists like Arcade Fire, Belle & Sebastian and Rufus Wainwright. The emo movement, which had grown out of the hardcore punk scene in the 1980s with bands like
Succeeding Context: and Rites of Spring, gained popularity as the 1990s progressed. Elliott, Sunny Day Real Estate, The Promise Ring, The Get Up Kids and others brought a more melodic sound to the genre. Weezer's Pinkerton (1996) introduced the genre to a wider and more mainstream audience.
Paragraph Title: Diversification
Source Page: Indie rock

Ground Truth Types:

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Predicted Types:

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