Classifier Instance:

Anchor text: Henry Cow
Target Entity: Henry_Cow
Preceding Context: According to critic Paul Morley, "The Gang spliced the ferocious precision of Dr. Feelgood's working-class blues with the testing avant-garde intrigue of
Succeeding Context: . Wilfully avoiding structural obviousness, melodic prettiness and harmonic corniness, the Gang's music was studded with awkward holes and sharp corners." At the time, the band was recognised to be doing something very different from other white guitar acts. Ken Tucker, in Rolling Stone, 1980, wrote: "...rarely have the radical edges of black and white music come closer to overlapping... the Gang of Four utilize their bass guitar every bit as prominently and starkly as the curt bass figures that prod the spoken verses in (Kurtis Blow's "culture defining" huge summer hit) “The Breaks.”
Paragraph Title: null
Source Page: Gang of Four (band)

Ground Truth Types:

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|  |---wordnet_organization_108008335
|  |  |---wordnet_musical_organization_108246613
|  |  |  |---wordnet_ensemble_108188235

Predicted Types:

TypeConfidenceDecision
wordnet_artifact_100021939-2.3271550742750757 0
wordnet_event_100029378-2.0615386793294905 0
wordnet_organization_108008335-0.42511087064397396 0
wordnet_person_100007846-0.25518329519824756 0
yagoGeoEntity-2.0090506478226517 0
|---wordnet_entity_100001740
|  |---wordnet_artifact_100021939
|  |---wordnet_event_100029378
|  |---wordnet_organization_108008335
|  |---wordnet_person_100007846
|  |---yagoGeoEntity