Classifier Instance:

Anchor text: The Sick Child
Target Entity: The_Sick_Child
Preceding Context: "The Frieze of Life" themes recur throughout Munch's work but find their strongest outpouring in the mid-1890s. In sketches, paintings, pastels and prints, he taps the depths of his feelings to examine his major motifs: the stages of life, the femme fatale, the hopelessness of love, anxiety, infidelity, jealousy, sexual humiliation, and separation in life and death. These themes find expression in paintings such as
Succeeding Context: (1885), (1893–94), (1894), and The Bridge. The latter shows limp figures with featureless or hidden faces, over which loom the threatening shapes of heavy trees and brooding houses. Munch portrayed women either as frail, innocent sufferers (see Puberty and Love and Pain) or as the cause of great longing, jealousy and despair (see Separation, Jealousy and Ashes).
Paragraph Title: null
Source Page: Edvard Munch

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Predicted Types:

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