Classifier Instance:

Anchor text: Midsummer Night's Dream music
Target Entity: A_Midsummer_Night\u0027s_Dream_\u0028Mendelssohn\u0029
Preceding Context: The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous examples including Ludwig van Beethoven's Egmont music, Franz Schubert's Rosamunde music, Felix Mendelssohn's
Succeeding Context: , Georges Bizet's L'Arlésienne music, and Edvard Grieg's music for Henrik Ibsen's Peer Gynt. Parts of all of these are often performed in concerts outside the context of the play. Vocal incidental music, which is included in the classical scores mentioned above, should never be confused with the score of a Broadway or film musical, in which the songs often reveal character and further the storyline. Since the score of a Broadway or film musical is what actually makes the work a musical, it is far more essential to the work than mere incidental music, which nearly always amounts to little more than a background score; indeed, many plays have no incidental music whatsoever.
Paragraph Title: null
Source Page: Incidental music

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