Classifier Instance:

Anchor text: Glyn Johns
Target Entity: Glyn_Johns
Preceding Context: After giving up on recording some of the Lifehouse tracks in New York, The Who went back into the studio with new producer
Succeeding Context: and started over. Although the Lifehouse concept was abandoned, scraps of the project remained present in the final album. The introductory line to "Pure and Easy", which Townshend has described as "the central pivot of Lifehouse," shows up in the closing bars of "The Song Is Over". An early concept for Lifehouse featured the feeding of personal data from audience members into the controller of an early analogue synthesiser to create musical tracks. It was widely believed that inputting the vital statistics of Meher Baba into a synthesiser generated the backing track on "Baba O'Riley," but in actuality it was Townshend playing a Lowrey organ. A primary result of the abandonment of the original project, however, was a newfound freedom; the very absence of an overriding musical theme or storyline (which had been the basis of The Who's 1969 project, Tommy) allowed the band to concentrate on maximising the impact of individual tracks.
Paragraph Title: The Lifehouse project
Source Page: Who's Next

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