Classifier Instance:

Anchor text: The Man from U.N.C.L.E.
Target Entity: The_Man_from_U\u002eN\u002eC\u002eL\u002eE\u002e
Preceding Context: By early 1971, though, ABC was trying to cut costs in the face of harsh new economic realities including a national economic recession, a sharp dip in advertising revenue following the U.S. government's recent ban on cigarette commercials, and a record-high number of competing soap operas—which were more expensive to produce than game or talk shows—on the networks' daytime schedules. Thus the network began weeding out supposedly unproductive programming. Despite its relatively high station clearances for its timeslot and low production costs, Dark Shadows fell victim to the purge mainly because of its young audience, who usually did not make decisions about the purchasing of household goods and food products for the family, which were the two chief industries that bought airtime on daytime television in that era. Practically no other daytime show skewed so much under the 18–35 demographic threshold as Dark Shadows did. Furthermore, primetime shows and movies with horror or science fiction themes (e.g., ,
Succeeding Context: ) had been on the decline for some time, and, of course, the serial appealed heavily to fanciers of those genres, people who usually thumbed their noses at the often sentimental domestic or romantic themes that traditional soaps had relied on since their inception on radio in the 1930s. In addition and probably more decisively, the program experienced a precipitous drop in its ratings during its last two years on the air, falling from a peak of 8.4 in the 1968–1969 television season to a 5.3 in 1970–1971.
Paragraph Title: null
Source Page: Dark Shadows

Ground Truth Types:

Predicted Types:

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