Classifier Instance:

Anchor text: film
Target Entity: Julius_Caesar_\u00281953_film\u0029
Preceding Context: It has always been, however, for his Shakespearean work that Gielgud has been best known. In addition to Hamlet, which he played over 500 times in six productions, he gave what some consider definitive performances in The Tempest (as Prospero) in four productions (and in the 1991 film Prospero's Books), as well as in other roles - Richard II in three productions, Benedick in Much Ado About Nothing which he first played in 1930 and revived throughout the 1950s, Macbeth and Oberon in A Midsummer Night's Dream twice, Romeo three times, and King Lear four times (as well as taking on the part for a final time in a radio broadcast at the age of 90). He also had triumphs as Malvolio in Twelfth Night (1931), Shylock in The Merchant of Venice (1937), Angelo in Measure for Measure (1950), Cassius in Julius Caesar (1950) (which he immortalised in the 1953
Succeeding Context: ), Leontes in The Winter's Tale (1951), and Cardinal Wolsey in Henry VIII (1959) (although his 1960 performance as Othello was not a success). It became rumoured that Gielgud also provided the voice for the uncredited role of the Ghost of Hamlet's Father in Laurence Olivier's 1948 film version, but the voice was actually that of Olivier, electronically distorted. Gielgud did voice the Ghost in both the stage and film version of the Richard Burton Hamlet, which he directed in 1964, and in the 1970 Hallmark Hall of Fame presentation starring Richard Chamberlain.
Paragraph Title: Shakespearean legacy
Source Page: John Gielgud

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