Classifier Instance:

Anchor text: Matador Records
Target Entity: Matador_Records
Preceding Context: Long synonymous with alternative rock as a whole, indie rock became a distinct form following the popular breakthrough of Nirvana. Indie rock was formulated as a rejection of both alternative rock's absorption into the mainstream by artists who could not or refused to cross over, and a wariness of its "macho" aesthetic. While indie rock artists share the punk rock distrust of commercialized music, the genre does not entirely define itself against that, as "the general assumption is that it's virtually impossible to make indie rock's varying musical approaches compatible with mainstream tastes in the first place". Labels such as
Succeeding Context: , Merge Records, and Dischord, and indie rockers like Pavement, Superchunk, Fugazi, and Sleater-Kinney dominated the American indie scene for most of the 1990s. One of the main indie rock movements of the 1990s was lo-fi. The movement, which focused on the recording and distribution of music on low-quality cassette tapes, initially emerged in the 1980s. By 1992, Pavement, Guided By Voices and Sebadoh became popular lo-fi cult acts in the United States, while subsequently artists like Beck and Liz Phair brought the aesthetic to mainstream audiences. The period also saw alternative confessional female singer-songwriters. Besides the previously mentioned Liz Phair, PJ Harvey and the massively successful Alanis Morissette fit into this sub group.
Paragraph Title: Other trends
Source Page: Alternative rock

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