Classifier Instance:

Anchor text: The Oz Film Manufacturing Company
Target Entity: The_Oz_Film_Manufacturing_Company
Preceding Context: Before the age of recorded sound in motion pictures, efforts were taken to provide suitable music for films, usually through the services of an in-house pianist or organist, and, in some cases, entire orchestras, typically given cue sheets as a guide. A pianist was present to perform at the Lumiere brother's first film screening in 1895. In 1914,
Succeeding Context: sent full-length scores by Louis F. Gottschalk for their films. Other examples of this include Victor Herbert's score in 1915 to The Fall of a Nation (a sequel to The Birth of a Nation) and Camille Saint-Saƫns' music for The Assassination of the Duke of Guise in 1908. It was preceded by Nathaniel D. Mann's score for The Fairylogue and Radio-Plays by four months, but that was a mixture of interrelated stage and film performance in the tradition of old magic lantern shows. Most accompaniments at this time, these examples notwithstanding, comprised pieces by famous composers, also including studies. These were often used to form catalogues of photoplay music, which had different subsections broken down by 'mood' and/or genre: dark, sad, suspense, action, chase, etc.
Paragraph Title: Origins
Source Page: Film score

Ground Truth Types:

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