Classifier Instance:

Anchor text: Moondawn
Target Entity: Moondawn
Preceding Context: The first ostinatos in Electronic music were created on Moog modular synthesizers systems that used sequencers as well as Buchla instruments. In the Berlin School of electronic music, Tangerine Dream and Klaus Schulze employed both ground bass ostinati as well as other sequences repeated through their pieces. Initially analog, sequences that make up these ostinati were entered by setting knobs on the Moog 960 sequencer or sliders on the ARP Sequencer. In the mid-seventies, Oberheim introduced the DS-2 Digital Sequencer which allowed for up to 72 events to be stored. As the electronic music world developed, sequencers began to be added to synthesizers as Arpeggiators. For examples of the above, see Tangerine Dream's Phaedra, Klaus Schulze's
Succeeding Context: , and Larry Fast's Electronic Realizations for Rock Orchestra. Many Synth Pop bands such as Tubeway Army used ground bass ostinati created on arpeggiators.
Paragraph Title: Electronic music
Source Page: Ostinato

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