Classifier Instance:

Anchor text: Andrew Wyeth
Target Entity: Andrew_Wyeth
Preceding Context: At the other extreme from wet in wet techniques, Drybrush is the watercolor painting technique for precision and control, supremely exemplified in many botanical paintings and in the drybrush watercolors of
Succeeding Context: . Raw (undiluted) paint is picked up with a premoistened, small brush (usually a #4 or smaller), then applied to the paper with small hatching or crisscrossing brushstrokes. The brush tip must be wetted but not overcharged with paint, and the paint must be just fluid enough to transfer to the paper with slight pressure and without dissolving the paint layer underneath. The goal is to build up or mix the paint colors with short precise touches that blend to avoid the appearance of pointillism. The cumulative effect is objective, textural and highly controlled, with the strongest possible value contrasts in the medium. Often it is impossible to distinguish a good drybrush watercolor from a color photograph or oil painting, and many drybrush watercolors are varnished or lacquered after they are completed to enhance this resemblance.
Paragraph Title: Drybrush
Source Page: Watercolor painting

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