Classifier Instance:

Anchor text: Max Klinger
Target Entity: Max_Klinger
Preceding Context: In 1902, Klimt finished the Beethoven Frieze for the 14th Vienna Secessionist exhibition, which was intended to be a celebration of the composer and featured a monumental, polychromed sculpture by
Succeeding Context: . Meant for the exhibition only, the frieze was painted directly on the walls with light materials. After the exhibition the painting was preserved, although it did not go on display until 1986. The face on the Beethoven portrait resembled the composer and Vienna Court Opera director Gustav Mahler, with whom Klimt had a respectful relationship.
Paragraph Title: null
Source Page: Gustav Klimt

Ground Truth Types:

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|  |  |  |  |---wordnet_painter_110391653

Predicted Types:

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