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Anchor text: Adam Gopnik
Target Entity: Adam_Gopnik
Preceding Context: One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. The use of low forms of art were a part of modernist experimentation as well, as documented in Kirk Varnedoe and
Succeeding Context: 's 1990-91 show High and Low: Popular Culture and Modern Art at New York's Museum of Modern Art, an exhibition that was universally panned at the time as the only event that could bring Douglas Crimp and Hilton Kramer together in a chorus of scorn. Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kitsch art. Whilst this concept of 'blurring' or 'fusing' high art with low art had been experimented during modernism, it only ever became fully endorsed after the advent of the postmodern era. Postmodernism introduced elements of commercialism, kitsch and a general camp aesthetic within its artistic context; postmodernism takes styles from past periods, such as Gothicism, the Renaissance and the , and mixes them in a fashion which ignores their original use in their corresponding artistic movement. Such elements are common characteristics of what is defined as postmodern art.
Paragraph Title: Defining postmodern art
Source Page: Postmodern art

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