Classifier Instance:

Anchor text: Lintel 24
Target Entity: Yaxchilan_Lintel_24
Preceding Context: Skull III. Lintel 12 was originally set into Structure 20 in the Central Acropolis. It is now in the Museo Nacional de Antropología in Mexico City. Lintel 13 is above a doorway in Structure 20. It had fallen when the roof of the building collapsed but has since been reset. The sculpture on the lintel is very well preserved. Lintel 14 is set above a doorway in Structure 20 and is particularly well preserved. Lintel 15 originally spanned a doorway in Structure 21, it was removed to the British Museum in 1982-3. Like Lintels 16 and 17 from the same series, it was carved from limestone. It was originally set above the southeast doorway of the central room. Lintel 15 depicts Lady Wak Tuun, one of the wives of king Bird Jaguar IV, during a bloodletting ritual that results in the appearance of the Vision Serpent. Lady Wak Tuun is carrying a basket containing the tools used for the bloodletting ritual, including a stingray spine, rope and bloodstained paper. The Vision Serpent emerges from a bowl containing strips of bark paper. Lintel 16 also spanned a doorway in Structure 21 and was removed to the British Museum in 1982-3. It was sculpted from limestone and was originally set above the central doorway of the central room. It shows Bird Jaguar IV holding a spear and standing over a kneeling captive. Bird Jaguar IV wears the same costume that his father is depicted wearing on Lintel 26. The capture event depicted on Lintel 16 took place in 752. Lintel 17 was another lintel from a doorway in Structure 21 that is now in the British Museum. It is sculpted from limestone and was originally set above the northwest doorway of the central room. It dates to the reign of Bird Jaguar IV. The lintel depicts Bird Jaguar IV and his wife Lady B'alam Mut participating in a bloodletting ritual. The king watches while his wife pulls a rope through her tongue draw blood. This ritual is recorded as having taken place eight days after the capture event depicted on Lintel 16.
Succeeding Context: is sculpted from limestone and is regarded as a masterpiece of Maya art. It is one of a series of three lintels that were set above the doorways of Structure 23, this one having been set above the southeast doorway. It shows a bloodletting ritual being carried out by king Itzamnaaj B'alam II and his wife Lady K'ab'al Xook, the king stands holding a burning torch over his wife, who pulls a spiked rope through her tongue. A screenfold book lies in a basket in front of the kneeling princess. The lintel has traces of red and blue pigments. The ceremony represented on the sculpture took place on 28 October, 709. Lintel 24 was removed at the end of the 19th century and is now on display in the British Museum.
Paragraph Title: null
Source Page: Yaxchilan

Ground Truth Types:

Predicted Types:

Type	Confidence	Decision
wordnet_artifact_100021939	1.0495375362146764	1
wordnet_instrumentality_103575240	-2.14358936103349	0
wordnet_structure_104341686	-0.727796146627073	0
wordnet_facility_103315023	-0.9372004371752249	0
wordnet_creation_103129123	-0.8437185889575511	0
wordnet_article_100022903	-2.278506865477751	0
wordnet_commodity_103076708	-1.8399674962612889	0
wordnet_way_104564698	-1.9122803122431424	0
wordnet_covering_103122748	-1.7624246550129625	0
wordnet_event_100029378	-1.9917410307752244	0
wordnet_organization_108008335	-2.8309333411923987	0
wordnet_person_100007846	-1.1412223253150537	0
yagoGeoEntity	-0.19826465823457426	0