Classifier Instance:

Anchor text: Transfiguration
Target Entity: Transfiguration_of_Jesus
Preceding Context: It is possible that Jahangir might have seen these images in their Islamic persona, as the Qur'an features such creatures, yet depiction of living things was haraam (forbidden), so the images could well have been created by a Christian artist. However, as Mughal art was still heavily Persian-influenced, images of living beings were allowed, and widespread, so perhaps the otherworldly images had nothing to do with Christianity at all; they nonetheless caught Finch's eye. Muqarrab Khan sent to Jahangir "a European curtain (tapestry) the like of which in beauty no other work of the Frank [European] painters has ever been seen." One of his audience halls was "adorned with European screens." Christian themes attracted Jahangir, and even merited a mention in the Tuzuk. One of his slaves gave him a piece of ivory into which had been carved four scenes. In the last scene "there is a tree, below which the figure of the revered (hazrat) Jesus is shown. One person has placed his head at Jesus' feet, and an old man is conversing with Jesus and four others are standing by." Though Jahangir believed it to be the work of the slave who presented it to him, Sayyid Ahmad and Henry Beveridge suggest that it was of European origin, and possibly showed the
Succeeding Context: . Wherever it came from, and whatever it represented, it was clear that a European style had come to influence Mughal art, otherwise the slave would not have claimed it as his own design, nor would he have been believed by Jahangir.
Paragraph Title: null
Source Page: Jahangir

Ground Truth Types:

Predicted Types:

Type	Confidence	Decision
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yagoGeoEntity	-1.5906948726424117	0