Classifier Instance:

Anchor text: New England
Target Entity: New_England
Preceding Context: By 1808 the Atlantic slave trade had brought almost half a million Sub-Saharan Africans to the United States. The slaves largely came from West Africa and the great Congo River basin. They brought strong musical traditions with them. Lavish festivals featuring African-based dances (likely Afro-Caribbean) to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843; there were similar gatherings in
Succeeding Context: and New York. African music was largely functional, for work or ritual, and included work songs and field hollers. The African tradition made use of a single-line melody and call-and-response pattern, but without the European concept of harmony. Rhythms reflected African speech patterns, and the African use of pentatonic scales contributed to the development of blue notes in blues and jazz. As Gerhard Kubik explains:
Paragraph Title: Origins
Source Page: Jazz

Ground Truth Types:

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Predicted Types:

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