Classifier Instance:

Anchor text: ring modulators
Target Entity: Ring_modulation
Preceding Context: He pioneered live electronics in Mixtur (1964/67/2003) for orchestra and electronics (Kohl 1981, 51–163), Mikrophonie I (1964) for tam-tam, two microphones, two filters with potentiometers (6 players) (Maconie 1972; Maconie 2005, 255–57), Mikrophonie II (1965) for choir, Hammond organ, and four
Succeeding Context: (Peters 1992), and Solo for a melody instrument with feedback (1966) (Maconie 2005, 262–65). Improvisation also plays a part in all of these works, but especially in Solo (Maconie 2005, 264). He also composed two electronic works for tape, Telemusik (1966) and Hymnen (1966–67) (Kohl 2002; Stockhausen-Verlag 2010, 21). The latter also exists in a version with partially improvising soloists, and the third of its four "regions" in a version with orchestra (Stockhausen-Verlag 2010, 21). At this time, Stockhausen also began to incorporate pre-existent music from world traditions into his compositions (Kohl 1981, 93–95; ). Telemusik was the first overt example of this trend (Kohl 2002, 96).
Paragraph Title: null
Source Page: Karlheinz Stockhausen

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