Classifier Instance:

Anchor text: Wilhelm Adolf Becker
Target Entity: Wilhelm_Adolf_Becker
Preceding Context: The first of these is private antiquities, best represented by his Sabina, or morning scenes in the dressing room of a wealthy Roman lady (; 1803, 2 vols.; 2nd ed., 1806), which was translated into French and served as a model for
Succeeding Context: 's Gallus and Charicles. The second, the Greek theatre, which Böttiger had been interested in since his time as a drama critic in Weimar; his unfavorable review of August Wilhelm Schlegel's Ion was withdrawn at the request of Goethe. It was mainly as a schoolmaster in Weimar that he wrote his papers on the distribution of the parts, on the masks and dresses, and on the machinery of the ancient stage, as well as a dissertation on the masks of the Furies in 1801. Thirdly, he worked in the domain of ancient art and mythology; his work in this area was popular but, according to some 20th century critics, superficial.
Paragraph Title: Biography
Source Page: Karl Böttiger

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