Classifier Instance:

Anchor text: Paul Chambers
Target Entity: Paul_Chambers
Preceding Context: The post-bop era saw the increased use of the typical African 12/8 cross-rhythmic structure. Herbie Hancock's "Succotash" on Inventions and Dimensions (1963) is an open-ended 12/8 jazz-descarga (jam), improvised on the spot, with no written music. Accompanied by
Succeeding Context: on bass, and the Latin percussionists Willie Bobo and Osvaldo Martinez "Chihuahua," Hancock's pattern of attack-points is the primary focus of his improvisations. Martinez plays a traditional Afro-Cuban chekeré part, while Bobo plays an Abakuá bell pattern on a snare drum with brushes. He used the same pattern and instrumentation on the first recording of "Afro Blue" (1959).
Paragraph Title: Post-bop
Source Page: Jazz

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