Classifier Instance:

Anchor text: Włodzimierz Kotoński
Target Entity: W\u0142odzimierz_Koto\u0144ski
Preceding Context: Stockhausen's two early Electronic Studies (especially the second) had a powerful influence on the subsequent development of electronic music in the 1950s and 1960s, particularly in the work of the Italian Franco Evangelisti and the Poles Andrzej Dobrowolski and
Succeeding Context: (Skowron 1981, 39). The influence of his Kontra-Punkte, Zeitmasse and Gruppen may be seen in the work of many composers, including Igor Stravinsky's Threni (1957–58) and Movements for piano and orchestra (1958–59) and other works up to the Variations: Aldous Huxley In Memoriam (1963–64), whose rhythms "are likely to have been inspired, at least in part, by certain passages from Stockhausen's Gruppen" (Neidhöffer 2005, 340). Though music of Stockhausen's generation may seem an unlikely influence, Stravinsky said in a 1957 conversation: I have all around me the spectacle of composers who, after their generation has had its decade of influence and fashion, seal themselves off from further development and from the next generation (as I say this, exceptions come to mind, Krenek, for instance). Of course, it requires greater effort to learn from one's juniors, and their manners are not invariably good. But when you are seventy-five and your generation has overlapped with four younger ones, it behooves you not to decide in advance "how far composers can go," but to try to discover whatever new thing it is makes the new generation new. (Stravinsky and Craft 1959, 133)
Paragraph Title: Musical influence
Source Page: Karlheinz Stockhausen

Ground Truth Types:

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