Classifier Instance:

Anchor text: Igor Stravinsky
Target Entity: Igor_Stravinsky
Preceding Context: Christopher Ballantine, while comparing and contrasting the categories of experimental and avant-garde music, concludes that Perhaps more than any other contemporary composer, Stockhausen exists at the point where the dialectic between experimental and avant-garde music becomes manifest; it is in him, more obviously than anywhere else, that these diverse approaches converge. This alone would seem to suggest his remarkable significance. (Ballantine 1977, 244)
Succeeding Context: expressed great, but not uncritical, enthusiasm for Stockhausen's music in the conversation books with Robert Craft (e.g., Craft and Stravinsky 1960, 118) and for years organised private listening sessions with friends in his home where he played tapes of Stockhausen's latest works (Stravinsky 1984, 356; Craft 2002, 141). In an interview published in March 1968, however, he says of an unidentified person, I have been listening all week to the piano music of a composer now greatly esteemed for his ability to stay an hour or so ahead of his time, but I find the alternation of note-clumps and silences of which it consists more monotonous than the foursquares of the dullest eighteenth-century music. ([Craft] 1968, 4) The following October, a report in Sovetskaia Muzyka (Anon. 1968) translated this sentence (and a few others from the same article) into Russian, substituting for the conjunction "but" the phrase "Ia imeiu v vidu Karlkheintsa Shtokkhauzena" ("I am referring to Karlheinz Stockhausen"). When this translation was quoted in Druskin's Stravinsky biography, the field was widened to all of Stockhausen's compositions and Druskin adds for good measure, "indeed, works he calls unnecessary, useless and uninteresting", again quoting from the same Sovetskaia Muzyka article, even though it had made plain that the characterization was of American "university composers" (Druskin 1974, 207).
Paragraph Title: Criticism
Source Page: Karlheinz Stockhausen

Ground Truth Types:

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