Classifier Instance:

Anchor text: In Dreams
Target Entity: In_Dreams_\u0028song\u0029
Preceding Context: At the hinge of the film is a scene in an unusual late night theater called Club Silencio where a performer announces "No hay banda," (There is no band) "But yet we hear a band", variated between English, Spanish, and French. Described as "the most original and stunning sequence in an original and stunning film", Rebekah del Rio's Spanish a cappella rendition of "Crying", named "Llorando", is praised as "show-stoppingĀ ...except that there's no show to stop" in the sparsely attended Club Silencio. Lynch wanted to use Roy Orbison's version of "Crying" in Blue Velvet, but changed his mind when he heard Orbison's "
Succeeding Context: ". Del Rio, who popularized the Spanish version and who received her first recording contract on the basis of the song, stated that Lynch flew to Nashville where she was living, and she sang the song for him once and did not know he was recording her. Lynch wrote a part for her in the film and used the version she sang for him in Nashville. The song tragically serenades the lovers Betty and Rita, who sit spellbound and weeping, moments before their relationship disappears and is replaced by Diane and Camilla's dysfunction. According to one film scholar, the song and the entire theater scene marks the disintegration of Betty's and Rita's personalities, as well as their relationship. With the use of multiple languages and a song to portray such primal emotions, one film analyst states that Lynch exhibits his distrust of intellectual discourse and chooses to make sense through images and sounds. The disorientating effect of the music playing although del Rio is no longer there is described as "the musical version of Magritte's painting Ceci n'est pas une pipe".
Paragraph Title: null
Source Page: Mulholland Drive (film)

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